Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.

A letter from a father to his two-year-old son, capturing a summer day in the park—a world filled with wonders to discover, yet an impending threat looms on the horizon. The project casts the climate crisis in a new light: what lies ahead may be uncertain, but with love, courage, and imagination, we can forge a better future.

A compact neo-noir bathed in neon and shadows, Chow Kam Wing’s chamber piece resurrects Hong Kong’s pulp tradition with arthouse flair. Unfolding in the faded opulence of Tsim Sha Tsui’s Mirador Mansion, it charts an unlikely bond between grizzled veteran Tai Bo and rising star Kuku So—he a mysterious rescuer, she a teenager running away from her mother’s abusive partner. At first Alice (the Wonderland echoes ring deliberately) rebuffs her savior’s gallantry. But their shared loneliness catalyzes a fraught rapprochement amid the mansion’s crimson-lit maze. Chow wields colorful yet noirish atmospherics with a maestro’s command, the dank stairwells and flickering fluorescents conjuring palpable peril. As this intricate two-hander hurtles toward its cathartic climax, you’ll be gasping—not just from the suspense, but from sensing the new lifeblood pulsing through the story. In the live-wire intensity between Chow’s protagonists burns the fierce promise of the arthouse’s inheritance of Hong Kong’s pulp legacy.

An elderly woman attempts to restore her long-forgotten wedding dress. As she stitches through silence and memory, her quiet labor becomes an act of love, defiance, and farewell.